Sir Mix-A-Lot Album: “Swass [PA]”
![Sir Mix-A-Lot Album: “Swass [PA]” Sir Mix-A-Lot Album: “Swass [PA]”](http://www.rapmusiczone.com/covers_prS/sir-mix-a-lot/2007_170_170_Swass%2520%255BPA%255D.jpg) Description :
Personnel includes: Sir Mix-A-Lot; Kid Sensation (vocals); Metal Church, Kid Sensation.
<p>Includes liner notes by Sir Mix-A-Lot.
<p>Additional personnel: Kid Sensation (vocals); Metal Church (various instruments).
<p>The first major MC to come out of the Pacific Northwest (straight outta Tacoma, Washington, to be precise), Sir Mix-a-Lot appeared on the national scene with 1987's SWASS, boasting his own language and a spare, spacey sound, one which owed a heavy debt to the electro-beat-box style of Afrika Bambaataa, but hinted at the P-Funk leanings of later West Coast rap. "Posse on Broadway" (that's Seattle's Broadway, not New York's) lays out Mix-a-Lot's style, as he poetically unfolds a narrative in his gruff, inimitable voice. He ably channels Run-D.M.C., pairing with fellow locals Metal Church on his re-imagination of "Iron Man." While he hints at the novelty that invaded his later work on sped-up opening track "Buttermilk Biscuits," most of the record is a darker affair, a reminder that, at heart, Sir Mix-a-Lot was a serious, innovative (if often goofy) rapper.
Track Listing :
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Album Information :
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UPC:886971464221
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Format:CD
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Type:Performer
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Genre:R&B - Old Skool
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Artist:Sir Mix-A-Lot
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Guest Artists:Metal Church; Kid Sensation
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Producer:Sir Mix-A-Lot
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Label:Legacy Recordings
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Distributed:Sony Music Distribution (
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Release Date:2007/11/13
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Original Release Year:1987
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Discs:1
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Length:53:55
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Mono / Stereo:Stereo
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Studio / Live:Studio
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"tessa782" (Grand Bay, Alabama USA) - February 02, 2003
8 of 8 people found the following review helpful:
- One of the best!
I have been listening to this cd since I was in middle school (about 12 years ago). This cd just gets better with age. It makes me kinda sad that there isn't anything out there like it today. It's from a different time when people didn't have to rap about killing one another. Swass is all about having a good time. It's funny and entertaining and is totally meant to be taken lightly. You're supposed to be able to laugh and smile the whole time that you're rapping right along with Mix a lot and Kid Sensation. I would recommend it to anyone who is just looking for a different view of rap.
Customer review - October 07, 1998
4 of 4 people found the following review helpful:
- Posse on Broadway is the SeaTown Hip Hop Anthem
I don't care - Mixalot is Seattle's greatest export. Ya'll can't step to the lyrical excellence, to the mack daddy attitude - Mix is it. SeaTown Represent!
D. Faoro (Henderson, NV United States) - January 28, 2007
2 of 2 people found the following review helpful:
- OLD SCHOOL AT ITS BEST
This album is what rap SHOULD be all about. It's fun and bass heavy and just enjoyable to listen to. Sometimes yes, it does get a little cheesy, but that is a big part of the charm to this album. Think of the b@lls it takes to open up your debut CD with a song called "Buttermilk Biscuits" where you rap with an effect on your voice that makes you sound like a chipmunk. I give mix-a-lot a lot of credit for that and for always keeping a sense of humor in rap music which is definately lacking today. This album also used very inventive beats. The music for the song "swass" is very simple but also very unique and sounds very different than your average rap song of that time. It also inspired whoever it is to rip off the chorus line "don't you wish your boyfriend was swass like me?" just change the word "swass" to "hot" and you have yourself a hit. Anyway, bottom line is I think this is a timeless album that is very fun to listen to.
6 of 8 people found the following review helpful:
- Nobody has reviewed this yet? This is a great album!
I kind-of chuckle at having "customer ratings" on albums online. You can review a vacuum and describe its features, how it works, its performance, etc. You can't really do that with music. It's based on opinion, not objectivity.
Well, I guess I could makes some objective comments about this album. It is pretty much like other rap albums -- primarily filled with baseless self-aggrandizement and hollow threats against real or imagined rival rappers. It objectifies women and promotes materialism. But you expected all that, so that's not going to affect your purchase decision.
So an album review really becomes a defense of the music or an attack on it. Because I was introduced to this album on a 10-hour road trip with three other teenage friends 20 years ago, it was burned in my head as one of the definitive albums of my youth. Picture Rick in his shades, breathing the "phoo-ha-ha, phoo-ha-ha" of S.W.A.S.S. Picture all four of us doing our best falsetto rap with Kid Sensation on Buttermilk Biscuits and the Squaredance Rap. Picture us playing Rippin' over and over, trying to train our tongues to produce words as fast as Mix-A-Lot's.
And picture us still referring to ourselves as "The Posse" when we got together in Las Vegas last March. Between the four of us who were there we now have 17 children. Times have changed, but we still think we're cool, and we still express that coolness via our love of Sir Mix-A-Lot. Buy the album. You don't know how it will change your life.
Customer review - May 13, 1998
1 of 1 people found the following review helpful:
- Swass is everywhere
Swass is everywhere. We cruise to "Posse on Broadway", we drop mad lyrics like "Swass" and nobody busts crazier rhymes than "Buttermilk Biscuits"! It's absolutely the most Swass-dope every put on vinyl - if your record collection doesn't have this you'd better re-think your collection criteria, baby.
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