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Gnarls Barkley

Disco de Gnarls Barkley: “St. Elsewhere”

Disco de Gnarls Barkley: “St. Elsewhere”
Información del disco :
Título: St. Elsewhere
Fecha de Publicación:2006-01-01
Tipo:Álbum
Género:Hip-Hop/Rap, Rock, Adult Alternative
Sello Discográfico:Downtown Recordings
Letras Explícitas:No
UPC:878037000368
Lista de temas :
1 Go-Go Gadget Gospel Video
2 Crazy Video
3 St. Elsewhere Video
4 Gone Daddy Gone Video
5 Smiley Faces Video
6 The Boogie Monster Video
7 Feng Shui Video
8 Just A Thought Video
9 Transformer Video
10 Who Cares? Video
11 Online Video
12 Necromancer Video
13 Storm Coming Video
14 The Last Time Video
15 Transformer (Instrumental) Video
16 The Boogie Monster (Instrumental) Video
Análisis (en inglés) - Yahoo! Music - Craig Rosen :
The producer known as Danger Mouse has already proven to be an MVP (most valuable producer or player, your pick). He’s the man behind the Jay-Z-meets-the Beatles mash-up The Grey Album and the co-producer of Gorillaz 2005 breakthrough Demon Days. It’s not too surprising to find he’s half of this inventive duo, whose name is a play on loudmouth pro basketball star-turned-loudmouth-broadcaster Charles Barkley. The real surprise here is Cee-Lo Green, an overlooked solo artist and former member of the Goodie Mob. It’s his voice -- part Al Green, Roland Gift (Fine Young Cannibals) and Jimmy Somerville (Bronski Beat) -- that has the irresistible “Crazy” cutting through the radio clutter and topping charts on both sides of the Atlantic. “Crazy” is a must-have single, but there’s plenty on St. Elsewhere that makes the whole album worthy of a purchase. A faithful cover of the Violent Femmes 1983 classic “Gone Daddy Gone,” doesn’t add much to the original rather than some modern percussion, but it does illustrate the breadth of Gnarls’s musical chops, which stretch from hip-hop and soul to alt-rock and psychedelia. Elsewhere, “Necromancer” has Alice Cooper’s “I Love The Dead” reincarnated as a spooky trip-hop number, while Cee-Loo and Danger Mouse channel the spirits of Screamin’ Jay Hawkins and Bobby “Boris” Pickett on “The Boogie Monster,” insuring, if nothing else, that Gnarls will be generating play at least through Halloween.
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